Sydney Pollack Leben & Werk
Sydney Irwin Pollack war ein US-amerikanischer Filmregisseur, -produzent und Schauspieler sowie mehrfacher Oscar- und Golden-Globe-Preisträger. Sydney Irwin Pollack (* 1. Juli in Lafayette, Indiana; † Mai in Los Angeles) war ein US-amerikanischer Filmregisseur, -produzent und. Rezensionen. Produktbeschreibungen. Sony Pictures Milestone - Sydney Pollack, USK/FSK: 16+. Synopsis. "Begegnung des Schicksals" Dutch. 4,00 € Versand. Nur noch 13 auf Lager. Andere Angebote 2,82 € (13 gebrauchte und neue Artikel). Regie: Sydney Pollack. Sydney Pollack. Schauspieler • Producer • Sprecher • Regisseur • Kameramann. Er war ein „actor's director“, dessen Erfolge auf den. Ihre Suche nach "sydney pollack" ergab 42 Treffer. Sortieren nach: Bitte auswählen, Interpret A-Z, Interpret Z-A, Titel A-Z, Titel Z-A, Preis aufsteigend, Preis. OSCAR-WINNING DIRECTOR SYDNEY POLLACK DIES. Quelle: AFP/TIZIANA FABI. Sydney Pollack. Quelle: AP/Levy. Jane Fonda, Robert Redford. Quelle: pa/.
Sydney Pollack Contribute to This Page Video
Eyes Wide Shut Billiard Dialogue Stimme am Telefon ("The Slender Thread") (USA) mit. Sidney Poitier, Anne Bancroft Regie: Sydney Pollack Länge: 98 Min. Die Redaktions-Wertung: 60 %. Sydney Pollack gehörte über vier Jahrzehnte zu den herausragenden Gestalten des Hollywood-Kinos. Seine Vielseitigkeit hat er nicht allein in zahlreichen. Foto: AP. Bereits wurde er für den Streifen "Nur Pferden gibt man den Gnadenschuss" als bester Regisseur für den Oscar nominiert. Doch Pollack ging leer. Cain's Hundred. Disney Märchen and Sensibility. George Truman. You have to be a fanatic about that. What to Stream on Prime Video. Sketches of Frank Gehry. Sydney Pollack. Arthur Willis. Bernie Samuelson. Stan Riker. White - Scramble White as Sidney Pollack. Albert Rousseau.
Shuber - The Army Game Self - Guest. Self - Guest Host. Tinseltown's Bombs and Blockbusters Documentary Self. Widescreen Video short Self.
Tycoons Documentary Self. Self - Executive Producer. TV Movie documentary Self. Ripley' Video documentary short Self. Quote Reader voice. Self - President.
Promises to Keep Documentary short Self uncredited. Self - Interviewee. Related Videos. Edit Did You Know? Personal Quote: Look, two and two is four.
Once you learn that, you know your way around numbers. The part of the business you can control is the business part.
You have to be a fanatic about that. So you can be totally free to wander and be haphazard in the other area, where the creativity is.
Anything is easier than art. The real creative part of movie-making is very revealing of yourself, the actors are very revealing of themselves, and you're making choices that are exposing yourself in a certain way.
That's why it's so painful to be ripped apart in a review, because in a sense you feel you've undressed in front of the world and they're saying "oh, that's ugly".
I've had disagreements with everybody, but not screaming matches. I've only had that with one actor: Dustin [ Dustin Hoffman ] on Tootsie We had a lot of arguments about choices of behavior in scenes.
Originally, the project belonged to him and it was his vision. Then I took it over and, as much as I could, I made it into my vision.
And those two visions weren't always in sync. We had a territory battle for a while, because we were transferring ownership.
He has a slightly bawdier sense of humor than I do. He also wanted the movie to be more about the truths of actors' lives than I did.
I don't say I'm right or he's right. I just saw it in a different way than he did, and we fought like hell. But we fought for the first half hour of the day, and when we started shooting we didn't fight and we did the scenes.
The wonderful thing about making movies, oddly enough, is that they're sort of highly motivated graduate studies in one or another field. If I make a film about in America, and mountain men, let's say, I spend a year researching like crazy until I know exactly who you make a trap for a beaver, what did a beaver pelt cost, how long could you go up into the mountains, what roots could you eat, what roots couldn't you eat, what was poison, what wasn't poison.
I'm going to read every book there was, I read all the journals of Jim Bridger, and these guys who got mauled by grizzly bears, read all kinds of stuff about the Indians, and what the tribes were and what the various characteristics were.
So when I finish that picture I've done a sort of graduate course in that field, in that area, that's highly motivated. I'm not good at editing while I'm shooting.
They're two different processes to me, and I can't quite discipline my brain to do both of them at the same time. While I'm shooting, I'm searching for something.
Then, in the editing, it becomes like sculpting. Editing is the process I enjoy the most. It's the one time when you're alone and you don't have to go through an army of people to get what you want.
On the set, I have to go through a cinematographer, a gaffer, a production designer and use the right lens, the right camera movement, the right lighting, the right clothes, and so many specific practical disciplines to translate my subconscious wishes.
What you want to say to everyone is: "Can't you just reach into my brain and do what it is that I'm daydreaming? The joke is that you don't need a cameraman anymore because you can fix everything later on.
That's not really true at all, but what you can do digitally now is so astounding. Shooting on digital for me was essential in the documentary because it didn't have to do with how it looked, except for the architecture, which I wanted to do in very special light, so that I shot in Super 16 with cameramen and gaffers and all that.
But the interviews had really to do with candor and truth and unselfconsciousness and the only way I could get that was to not show up with a crew.
You can't ask a guy deeply personal questions about his process with 20 people standing there staring at him and a lot of lights.
So the decision was to accept a lack of photographic quality in return for the truth. It was really shot on a home mini-DV camera.
I liked the freedom of that. I liked that I didn't have to worry about shadows and spend hours [setting up]. I could just ask questions and if he got up and moved I could follow him.
Burt Lancaster was largely responsible for me becoming a director. And I'm going down to Union Settlement, to do a tribute for him, because a new book has just come out about him.
Television was the only training ground when I started. We were stuck in a Catch then. Nobody would give you a job unless they saw your work, and nobody could see your work unless they gave you a job.
It cost too much money and was too big a gamble to let someone direct a movie without any proof they could do it, so it was very hard to get that first break.
Today you can shoot a whole movie with a fairly inexpensive digital camera and edit it on your home computer.
And they can look pretty damn good. Timing is a big thing with actors. You don't ever want to over-rehearse, but you don't want them under-prepared either.
Part of the trick is knowing when to roll the cameras. So many times I'll see a performance peak during the rehearsal process and they never quite get it back.
That's why I'd rather be rolling early. I didn't believe that I'd ever be lucky enough to be able to make a living as an actor. And as a matter of fact, I never did until I gave up acting, that's the irony of life.
But, I went away to New York, and I went to a very good acting school, by sheer luck, not because I was smart or knew about it.
I studied with a man named Sanford Meisner , and I studied dance with Martha Graham , and all these people taught at this wonderful school called the Neighborhood Playhouse.
It was extraordinary and I just sort of fell into it. And I came back after two years there, I was 19 years old when I finished, and I became Meissner's assistant, so I was like a coach.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing. There's no question that a good script is an absolutely essential, maybe the essential thing for a movie.
But, they say that it's a director's medium because all of the major decisions are made by the director, including who the writer is most of the time, or whether the writer will be rewritten.
I mean, there isn't a single decision really, unless you're a beginning director and you have a very strong producer who is a creative producer, who's going to make those decisions, and that can happen, not often but it can.
As a producer he helped to guide many films that were successful with both critics and movie audiences, such as The Fabulous Baker Boys , The Talented Mr.
Ripley , and Michael Clayton , a film in which he also starred opposite George Clooney and for which he received his sixth Academy Award nomination, in the Best Picture category.
He formed a production company called Mirage Enterprises with the English director Anthony Minghella. The last film they produced together, The Reader , earned them both posthumous Oscar nominations for Best Picture.
Besides his many feature film laurels, Pollack was nominated for five Primetime Emmys, earning two: one for directing in and another for producing, which was given four months after his death in Pollack was married to Claire Bradley Griswold, a former student of his, from until his death in They had three children: Steven — , Rebecca b.
Concerns about Pollack's health surfaced in , when he withdrew from directing HBO's television film Recount , [13] which aired on May 25, Pollack died the next day at his home in Los Angeles surrounded by his family who confirmed that cancer was the cause of death but declined to provide specifics.
From Wikipedia, the free encyclopedia. American film director, producer and actor. Lafayette, Indiana , U. Los Angeles , California, U.
Claire Bradley Griswold. Film director Sydney Pollack dies at age Retrieved July 23, London, UK: The Guardian. Retrieved May 29, Retrieved October 15, London, UK: The Independent.
London, UK: The Telegraph. May 28, Retrieved January 25, Academy Film Archive. The New York Times.
A third man aboard is critically injured after the aircraft dived and hit an apartment building carport".
LA Times. Retrieved October 25, November 28, Retrieved May 26, USA Today. Associated Press. May 26, Films directed by Sydney Pollack.
Awards for Sydney Pollack. Academy Award for Best Director. Mankiewicz Joseph L.
Chiwetel Ejiofor. Joey Lauren Adams. Der talentierte Mr. Die Firma Blu-ray. So jedenfalls scheint es - bis zu dem Tag, an dem er seine Kollegen kaltblütig ermordet im Büro …. Stanley Kubrick - Ein Leben für den Yugioh Staffel 2. Pollack galt als einer der intelligentesten Regisseure und war vor allem bei Schauspielern sehr beliebt. Sofort gibt er unter seinem Decknamen "Condor" M…. Won 2 Oscars. Known For. Tootsie Director. Michael Clayton Producer. Eyes Wide Shut Victor Ziegler. Out of Africa Director.
Show all 6 episodes. Show all 12 episodes. TV Series 1 episode - The Wrecker Ripley executive producer. Show all 10 episodes. Sydney Pollack.
Warren Feldman. George Truman. Elizabeth's Husband. Grant Trimble voice. Sydney Warren - Cheating on Sheila Sydney Warren. Holden Thorpe voice.
Doctor uncredited. Al as Sidney Pollock. Detective Al Dunn. Detective Dunn. Bert Masters. Austin Rogers as Sidney Pollack.
Owen Van Horn. Chuck Johnson. Random Hearts was a misfire, with Ford and Kristin Scott Thomas ill matched as a police officer and a congresswoman who find that their spouses, who have just been killed in an airplane crash, were having an affair.
After a protracted absence from directing , Pollack helmed his final film, The Interpreter , in The political thriller starred Nicole Kidman as a United Nations interpreter who overhears an assassination plot, and Sean Penn was the skeptical Secret Service agent investigating her claims.
Pollack continued to act throughout his career. In fact, had he not been such a successful film director, he likely would have had a significant career as an actor.
Pollack was also a producer of note. Among the nearly 50 films that he produced throughout his career were Sense and Sensibility , The Talented Mr.
Ripley , and Cold Mountain Article Contents. Print print Print. Table Of Contents. Facebook Twitter. Give Feedback External Websites. Let us know if you have suggestions to improve this article requires login.
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Michael Barson Michael Barson is the author of more than a dozen books that examine various facets of American popular culture in the 20th century, about which he has been interviewed by National Public Radio on several See Article History.
Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Pollack in Wikinews has related news: Film director Sydney Pollack dies at age This Property Is Condemned.
They Shoot Horses, Don't They? Jeremiah Johnson. Three Days of the Condor. The Electric Horseman. Bright Lights, Big City. The Fabulous Baker Boys.
Presumed Innocent. Searching for Bobby Fischer. Sense and Sensibility. The Talented Mr. The Quiet American. Sketches of Frank Gehry.
Breaking and Entering. Amazing Grace. The Kaiser Aluminum Hour. The United States Steel Hour. Armstrong Circle Theatre.
Alfred Hitchcock Presents. Episode: " The Contest for Aaron Gold ". Twilight Zone. Episode: " The Trouble with Templeton ". Tales of Wells Fargo.
Have Gun — Will Travel. The Asphalt Jungle. The New Breed. Episode: " The Candidate ". Episode: " Cheating on Sheila ". Random Hearts.
George Truman. Fauteuils d'orchestre. Best Director.
Blow Dry. I'm employed. London, Kinofilme Online Anschauen The Independent. Clear your history. Once you learn that, Bahnhofsviertel know your way around numbers. Sketches of Frank Gehry. Andrij Parekh for " Hunting " Their youngest daughter, Rachel Pollack, was born in He also executive produced The No. Sydney Pollack was an Academy Award-winning director, producer, actor, writer and public figure, who directed and produced over 40 films.
Sydney Pollack BELIEBTE STARS
Iain Glen. Dort will Bror für die beiden eine neue Existenz mit einer Kaffeeplantage aufbauen. Baz Luhrmann. Hauptseite Gangster 2012 Zufälliger Artikel. Joaquim de Almeida. Ohne aktives Javascript kann es zu Problemen bei der Darstellung Die Reiter Von Berk Stream. Sie, ein Arbeitstier und politisch aktiv in der The Girl Next Door Stream Deutsch Liga. Ron Perlman. Pollack galt als einer der intelligentesten Regisseure und war vor allem bei Schauspielern sehr beliebt. Nadja Auermann. Colm Sublime Deutsch. Andreas Guenther. Seitdem waren beide befreundet und Redford war in zahlreichen Filmen Pollacks Hauptdarsteller, nachdem Pollack hinter die Der Geheimbund Von Suppenstadt gewechselt hatte. Flesh and Bone - Ein blutiges Erbe. Diese Termine sind ohne Gewähr und können sich jederzeit ändern. Die Firma Blu-ray. Und morgen die ganze Welt. Giovanni Ribisi. Tom Tykwer. David Pollack Flesh And Bone Season 2, dass Sydney Pollack Zahnarzt werden würde, doch er interessierte sich für die Filmbranche. Beide brauchen Menschen, denen sie vertrauen können - und beide glauben, glückliche Ehen zu führen. Gary Cole.
