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Elias Koteas ist ein kanadischer Schauspieler griechischer Herkunft. Elias Koteas (* März in Montréal, Québec) ist ein kanadischer Schauspieler griechischer Herkunft. Inhaltsverzeichnis. 1 Biografie; 2 Auszeichnungen. Elias Koteas. In Terrence Malicks Meilenstein des Kriegsfilms, dem mit dem "Goldenen Bären" der Berlinale ausgezeichneten "Der schmale Grat", war. Elias Koteas ist einem internationalen Publikum aus Filmen wie "Der schmale Grat" und "The Killer Inside Me" bekannt. Der kanadische Schauspieler spielte. Elias Koteas kennt man unter anderem aus den Serien The Killing und Chicago PD. News auf massageadomicilebucarest.eu In David Cronenbergs seltsamen Erotik-Streifen "Crash" () spielt Elias Koteas den charismatischen Verführer Vaughan: "Es ist nicht einfach, diese Figur mit. Serien und Filme mit Elias Koteas: Chicago Med · Chicago P.D. · Chicago Fire · Chicago Justice · Conviction · Unforgettable · Combat Hospital · Traffic .

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Why Did Elias Koteas Leave Chicago PD? What Is He Doing Now?
Online-Shopping mit großer Auswahl im DVD & Blu-ray Shop. Zum Inhalt des Films: Hilflos muss der Feuerwehrmann Gordon Brewer mitansehen, wie seine Frau und sein Sohn bei einem Bombenanschlag auf die. elias koteas shutter island. It's just not possible. When you look at it, it's like a capsule of the potential of independent filmmaking at its rawest.
And Atom has such a passionate view of how he looks at the world and how people relate to each other. And any time he has a story that he thinks I can help him tell, I'll be there.
I was a huge fan of Thunderbolt and Lightfoot It was a phenomenal movie. I thought that Michael Michael Cimino was very passionate, too, about trying to make a film.
He hadn't made a film in a while. Again, taking all that aside, I had no idea what I was doing when I went to do that movie.
I had no clue how to approach that character as far as what I should be playing and how I should play being Mickey Rourke 's brother, I was in over my head.
I had no idea. I didn't particularly care in any way what I did in that movie. It seemed light and irrelevant. The director, Andrew Davis , he was lovely.
He wanted me to be in the movie, and I was going to be in the movie. Who was I to say? I have no idea what any of this political stuff means. I could sit here and tear it apart - tear myself apart mostly - but Andrew is a great filmmaker and he does great stuff.
He shows great stories. Sometimes, the journey could be fun and informative, other times it's over your head. You're playing roles that, emotionally, you may not be connecting with, but you do the best you can to tell the story.
It was very surreal. You're part of a big-budget film, traveling to Mexico, downtown Los Angeles. I mean, you pinch yourself.
It's a blessing. But, do I relate personally to the politics of this kind of thing? I probably don't. But if I had the chance to play it over again?
I'm a little bit more informed by it. I've lived a little bit longer. I think I've grown a little bit. I know how to work a little bit more deeply.
I don't know. I know I first met Arnold Schwarzenegger during the rehearsal, and we were introduced each other and he's like [adopts accent], "Ahhh, the weasel.
All the energy in the world. I take my hat off to that guy. He was great, and he wanted you to be at your best, too. He wanted to keep up.
He was very humble. He knew what his strengths were, and he knew what everyone else's strengths were. He tried to bring it on at the day, at the moment.
You know what? I was in a movie with Arnold Schwarzenegger. That kind of brings a smile to my face. James Gray is brilliant.
If I could be in James Gray movies for the rest of my days, I'd be a lucky man. He shoots on location. Everything is real. It's gritty.
It's personal. And he allows you to play. He doesn't care too much about continuity from take to take. He just wants you to make it your own.
What a lovely soul to work for - to work with, alongside. And yeah, I think the movie got shafted by a lot of distraction.
I think it deserves a lot more than what it got. Ultimately, it'll stand the test of time. For the lucky people who come upon it, they will see what a gift it is, what a great movie.
And Joaquin Phoenix is brilliant in it and so is Vinessa Shaw. She was great in that. I was moved by her character, by how she played it.
So, yeah, I think the movie definitely deserved more publicity. It's the kind of story that requires you to actually sit and be drawn in and sucked into the plight of an individual torn between loves and his own personal demons.
It's not an easy film, but I think that it's really life-affirming and inspirational. And painful. Sometimes life is painful.
There aren't any easy choices. You do the best you can. David pushes you in a way that will test your resolve and your own character.
Him and Terry, the similarities He's focused, knows what he wants. He keeps doing it, keeps honing it. Sometimes you do a lot of takes, and I love that.
You get the chance to relax into it Sometimes it works in your favor. Sometimes it doesn't. Sometimes doing 40 takes flattens you out.
Sometimes it takes a certain kind of actor and a certain kind of talent to maintain a spark after 40 takes. Sometimes actors are at their best after three takes and you move on.
But, you know, it depends on the situation. There was one scene where I was so nervous. I mean, I was nervous. I couldn't function.
Sometimes being the instrument, you're at the mercy of the day and how you wake up in the morning. Sometimes you're nervous, and it gets in the way.
The fact that there were 40 takes to relax me was comforting. The fact that we didn't only have three took a lot of pressure off me.
But I could understand how it could flatten you out. If you're really operating on all cylinders, doing a lot of takes could be exhausting.
But that's its own challenge. You gotta take it as it comes. But I could also see the value of doing a couple of takes. You have to bring your game right off the top, and that's its own thing.
You know, it's challenging either way. I was working with Marty Martin Scorsese! It was the quietest set I've ever been on.
It was almost reverential. I felt like I went home. He made me feel like I belonged. It was a magical time.
It was only a week of my life in Boston. I grew up watching stuff that he did. Suddenly, to be on set with him, working together, you gotta pinch yourself.
It was very intimidating and nervous. Suddenly you're there, in the middle of the scene. You gotta make it happen. You hope to God that you're present enough to try a lot of different things.
Oh, and I remember one day, I was sitting in a trailer putting on the makeup, and in comes Max von Sydow. Here comes this very elegant, quiet gentleman, and he comes in and he sits right next to me so he could have his makeup put on.
We say hello to each other, and it's all very nice. Then it occurred to me, if someone were to call me, there would be "Tubular Bells" ringing, and I thought that would be a great icebreaker.
But nobody called! It didn't occur to me to call up my girlfriend and say, "Hey, babe, could you call me right now? It would have cracked everybody up.
The script was brilliant. Honestly, I've only seen parts of it. It looked interesting. They did a good job.
But I didn't really see the whole thing. Got the chance to go to Bulgaria. It was great. I had a fun time. And then they marketed it in a certain way that was not representative.
It's a very cerebral film, and it's cold, and it gets under your skin, and it's disturbing, and it's methodical. It's not like this fast-paced, high-voltage thing.
It's very cerebral. I thought that a lot of these trailers did it a disservice. After all the commotion and controversy, when they actually saw it, I imagine there was a lot of disappointment, like, "What's the big deal?
There is no big deal. They did a disservice to it by delaying it. To me, all the actors in that movie, we were all in the state of grace.
We loved it. Every moment of it, we were supportive. David Cronenberg , we were in his little sandbox, and we were all willing to do whatever to bring it to life.
We all had a blast. I felt like I was at the tip of an arrow, and it was just going forward, and I was just trying to stay out of the way.
It was one of those moments in my life where I felt it was all left there [on the set], and I felt blessed by it.
I felt renewed and reinvigorated. View agent, publicist, legal and company contact details on IMDbPro. Edit page. Batman Villains fancast.
Gattaca premiere. Collateral Damage premiere. Eid also spoke of how Elias Koteas reacted to the news of his being written off the show, and how hard it was for them to say goodbye.
We will miss him dearly. The idea of Voight needing to pay a price for his battle with Woods is fine, and Olinsky was the most convenient victim, since Woods had gotten him put behind bars.
Woods put him in prison, but it was an old grudge from cartel player Carlos DeLeon that prompted his murder. Let us know your thoughts on the rationale in the comments.
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Elias Koteas, Archie Kao \u0026 Patrick Flueger - Chicago P.D. S1 Clear your history. It was painful. View agent, publicist, legal and company contact details on IMDbPro. I feel blessed. He was very humble. John HughesI had auditioned for him for She's Having a Babyand he liked me enough and was interested in Media Markt Dvb T2 enough to set me up with the director, Howard Deutch.
Absolut ist mit Ihnen einverstanden. Darin ist etwas auch mir scheint es die gute Idee. Ich bin mit Ihnen einverstanden.