Pulp Fiction Cast Inhaltsverzeichnis
Das Kleinkriminellenpärchen Pumpkin und Honey Bunny überfällt einen Diner in L.A und gerät dabei an den Auftragkiller Jules. Dieser und sein Partner Vincent Vega werden bei einem Auftrag für ihren Boss Marcellus Wallace mit der Beseitigung einer. Pulp Fiction – Wikipedia. Pulp Fiction Schauspieler, Cast & Crew. Liste der Besetung: John Travolta, Samuel L. Jackson, Bruce Willis u.v.m. points • 4 comments - Promotional shots of the main cast of "Pulp Fiction" - 9GAG has the best funny pics, gifs, videos, gaming, anime, manga, movie, tv. points • 4 comments - Promotional shots of the main cast of "Pulp Fiction" - 9GAG has the best funny pics, gifs, videos, gaming, anime, manga. Besetzung und Stab von Pulp Fiction, Regisseur: Quentin Tarantino. Besetzung: John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis. - @HistoryInPix: The cast of Pulp Fiction () by Firooz Zahedi. massageadomicilebucarest.eu
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Rate This. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
Director: Quentin Tarantino. Available on Amazon. Added to Watchlist. From metacritic. Stars of the s, Then and Now.
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Top Rated Movies 8 Won 1 Oscar. Edit Cast Cast overview, first billed only: Tim Roth Pumpkin Amanda Plummer Honey Bunny Laura Lovelace Waitress John Travolta Vincent Vega Samuel L.
Jules Winnfield Phil LaMarr Marvin Frank Whaley Brett Burr Steers Roger Bruce Willis Butch Coolidge Ving Rhames Marsellus Wallace Paul Calderon Paul Bronagh Gallagher Lance Uma Thurman Mia Wallace Jerome Patrick Hoban Ed Sullivan Michael Gilden Phillip Morris Page Gary Shorelle Ricky Nelson Susan Griffiths Marilyn Monroe Eric Clark James Dean Joseph Pilato Buddy Holly Lorelei Leslie Mamie Van Doren Emil Sitka Butch's Mother Christopher Walken Captain Koons Chandler Lindauer Young Butch Sy Sher Klondike Robert Ruth Sportscaster 2 Angela Jones Esmarelda Villalobos Don Blakely Wilson's Trainer Carl Allen Dead Floyd Wilson Maria de Medeiros Fabienne Karen Maruyama Gawker 1 Kathy Griffin Kathy Griffin Venessia Valentino Pedestrian Linda Kaye Shot Lady Duane Whitaker Maynard Peter Greene Zed Stephen Hibbert The Gimp Alexis Arquette Fourth Man Quentin Tarantino Jimmie Harvey Keitel The Wolf Julia Sweeney Raquel Lawrence Bender Bar Tender uncredited Kadrolsha Ona Carole Restaurant Patron 2 uncredited Rhys Kirkman Young Boy uncredited Justin Mullins Dancing Man uncredited Lori Pizzo Lucky Lady uncredited Glendon Rich Drug Dealer uncredited Devan Richardson Pulp Fiction ' s narrative is told out of chronological order, and follows three main interrelated stories: Mob contract killer Vincent Vega is the protagonist of the first story, prizefighter Butch Coolidge is the protagonist of the second, and Vincent's partner Jules Winnfield is the protagonist of the third.
The film begins with a diner hold-up staged by a couple, then moves to the stories of Vincent, Jules, and Butch. It finally returns to where it began, in the diner.
There is a total of seven narrative sequences; the three primary storylines are preceded by intertitles:. If the seven sequences were ordered chronologically, they would run: 4a, 2, 6, 1, 7, 3, 4b, 5.
Sequences 1 and 7 partially overlap and are presented from different points of view, as do sequences 2 and 6. According to Philip Parker, the structural form is "an episodic narrative with circular events adding a beginning and end and allowing references to elements of each separate episode to be made throughout the narrative".
Hitmen Jules Winnfield and Vincent Vega arrive at an apartment to retrieve a briefcase for their boss, gangster Marsellus Wallace, from a business partner, Brett.
After Vincent checks the contents of the briefcase, Jules shoots one of Brett's associates, then declaims a passage from the Bible before he and Vincent kill Brett for trying to double-cross Marsellus.
They take the briefcase to Marsellus, but have to wait while he bribes champion boxer Butch Coolidge to take a dive in his upcoming match.
The next day, Vincent purchases heroin from his drug dealer, Lance. He shoots up, then drives to meet Marsellus's wife Mia, whom he had agreed to escort while Marsellus was out of town.
They eat at a s-themed restaurant and participate in a twist contest, then return home with the trophy. While Vincent is in the bathroom, Mia finds his heroin, mistakes it for cocaine , snorts it, and overdoses.
Vincent rushes her to Lance's house, where they revive her with an adrenaline shot to her heart. Butch betrays Marsellus and wins the bout, accidentally killing his opponent.
At the motel where he and his girlfriend Fabienne are lying low and preparing to flee, Butch discovers she has forgotten to pack his father's gold watch, a beloved heirloom, and flies into a rage.
Returning to his apartment to retrieve the watch, he notices a MAC on the kitchen counter and hears the toilet flush.
Vincent exits the bathroom, and Butch shoots him dead, leaving the gun inside. As Butch waits at a traffic light in his car, Marsellus spots him by chance crossing the road.
Butch crashes his car into Marsellus, leaving both of the men injured and dazed from the accident. After coming to, Marcellus takes a gun out and shoots at Butch, and then chases him into a pawnshop.
Butch gains the upper hand and points the gun at Marsellus, but the owner, Maynard, captures them at gunpoint and ties them up in the basement.
Zed, a security guard, joins Maynard. Together, they take Marsellus to another room to rape him, leaving "the gimp", a silent figure in a bondage suit , to watch Butch.
Butch breaks loose and knocks out the gimp with a punch. He is about to flee but decides to save Marsellus, returning with a katana from the pawnshop and kills Maynard.
Marsellus retrieves Maynard's shotgun and shoots Zed in the crotch. Marsellus informs Butch that they are even, as long as he tells no one about the rape and departs Los Angeles forever.
Butch picks up Fabienne on Zed's chopper , and they drive away. Earlier, after Vincent and Jules have killed Brett in his apartment, another man bursts out of the bathroom and shoots at them wildly, but misses with every bullet.
Afterwards, Jules and Vincent kill him. Jules professes their survival was a miracle, which Vincent disputes. As Jules drives, Vincent accidentally shoots Brett's associate Marvin in the head, covering themselves and the car in blood in broad daylight.
They hide the car at the home of Jules' friend Jimmie, who demands they deal with the problem before his wife comes home. Marsellus sends his cleaner , Winston Wolfe, who directs Jules and Vincent to clean the car, hide the body in the trunk, dispose of their bloody clothes, and take the car to a junkyard.
At a diner, Jules tells Vincent that he plans to retire from his life of crime, convinced that their "miraculous" survival at the apartment was a sign of divine intervention.
While Vincent is in the bathroom, a couple dubbed "Pumpkin" and "Honey Bunny" hold up the restaurant. Jules overpowers Pumpkin and holds him at gunpoint; Honey Bunny becomes hysterical and trains her gun on him.
Vincent returns with his gun aimed at her. Jules recites the biblical passage, expresses ambivalence about his life of crime, and allows the robbers to take his cash and leave.
Jules and Vincent leave the diner with the briefcase. Additionally, Bronagh Gallagher plays Jody's friend Trudi who does little but smoke a bong during the scene where Vincent revives Mia.
According to author Jason Bailey, "Quentin thought it would be funny to have this casual observer who just happened to be there.
All of this was born out of the experience of, when you go to someone's house to buy drugs, there are always people who are just there.
LaMarr auditioned for Tarantino after both had done a show for an improv group a few months prior. Tarantino was unsure whether to play Jimmie or Lance, choosing Jimmie as he wanted to be behind the camera during Mia's overdose scene.
Frank Whaley portrays Brett, an associate of Jules and Vincent who has a briefcase requested by Marcellus.
He recalls, "we ended up meeting and spending time together, and I liked him, so I was really happy when he asked me to be in this movie.
The scene of the confrontation between Brett and Jules went through several takes due to Steers making mistakes. Steers recalled in an interview that he had found acting difficult due to the loudness of the gunshots.
Angela Jones portrays Esmeralda Villalobos, a cab driver who aids Butch's escape. Her casting and character were inspired by her performance in the short film Curdled , later remade as a feature film with finance from Tarantino and again starring Jones.
Buscemi, who had appeared in Reservoir Dogs , was originally considered for the role of Jimmie, but was unable to commit.
Roger Avary wrote the first element of what would become the Pulp Fiction screenplay in the fall of Tarantino and Avary decided to write a short , on the theory that it would be easier to get made than a feature.
But they quickly realized that nobody produces shorts, so the film became a trilogy, with one section by Tarantino, one by Avary, and one by a third director who never materialized.
Each eventually expanded his section into a feature-length script. The initial inspiration was the three-part horror anthology film Black Sabbath , by Italian filmmaker Mario Bava.
The Tarantino—Avary project was provisionally titled " Black Mask ", after the seminal hardboiled crime fiction magazine. With work on Reservoir Dogs completed, Tarantino returned to the notion of a trilogy film: "I got the idea of doing something that novelists get a chance to do but filmmakers don't: telling three separate stories, having characters float in and out with different weights depending on the story.
You know, you've seen the story a zillion times. I wanted him to be a bully and a jerk". He cast the lead actress, Angela Jones , in Pulp Fiction and later backed the filmmakers' production of a feature-length version of Curdled.
Released in the United States in October , the picture was a critical and commercial success. In January , the Pulp Fiction script was complete.
Tarantino and his producer, Lawrence Bender , brought the script to Jersey Film. Before even seeing Reservoir Dogs , Jersey had attempted to sign Tarantino for his next project.
He characterizes the studio's position: "'This is the worst thing ever written. It makes no sense. Someone's dead and then they're alive.
It's too long, violent, and unfilmable. So I thought, 'That's that! Bender brought the script to Miramax , the formerly independent studio that had recently been acquired by Disney.
Though he had recently appeared in several big-budget flops, he was still a major overseas draw. Principal photography commenced on September 20, I wanted it to look like an epic.
The reason we use it is that it creates an almost no-grain image, it's lustrous. It's the closest thing we have to 50s Technicolor.
One of his pop totems, Fruit Brute , a long-discontinued General Mills cereal, also returned from the earlier film.
No film score was composed for Pulp Fiction ; Quentin Tarantino instead used an eclectic assortment of surf music , rock and roll , soul , and pop songs.
Dick Dale 's rendition of " Misirlou " plays during the opening credits. Tarantino chose surf music as the basic musical style for the film, but not, he insists, because of its association with surfing culture: "To me it just sounds like rock and roll, even Morricone music.
It sounds like rock and roll spaghetti Western music. Lovelace also appeared in the film as Laura, a waitress; she reprises the role in Jackie Brown.
The album peaked on the Billboard chart at number Estella Tincknell describes how the particular combination of well-known and obscure recordings helps establish the film as a "self-consciously 'cool' text.
The Weinsteins "hit the beach like commandos", bringing the picture's entire cast over. The first U.
Todd McCarthy called Pulp Fiction a "spectacularly entertaining piece of pop culture It's like, all of a sudden, 'I gotta watch this I gotta pay attention.
It's actually fun to watch an audience in some ways chase after a movie. The New York Times published its review the day of the opening. Janet Maslin called the film a "triumphant, cleverly disorienting journey through a demimonde that springs entirely from Mr.
Tarantino's ripe imagination, a landscape of danger, shock, hilarity and vibrant local color As Peter Biskind describes, "It was not platformed, that is, it did not open in a handful of theaters and roll out slowly as word of mouth built, the traditional way of releasing an indie film ; it went wide immediately, into 1, theaters.
Miramax played with the issue in its marketing campaign: "You won't know the facts till you've seen the fiction", went one slogan. The website's critical consensus reads, "One of the most influential films of the s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.
The response of major American film reviewers was widely favorable. It dares Hollywood films to be this smart about going this far. If good directors accept Tarantino's implicit challenge, the movie theater could again be a great place to live in.
I'm not sure I've ever encountered a filmmaker who combined discipline and control with sheer wild-ass joy the way that Tarantino does.
The Los Angeles Times was one of the few major news outlets to publish a negative review on the film's opening weekend.
Kenneth Turan wrote, "The writer-director appears to be straining for his effects. Some sequences, especially one involving bondage harnesses and homosexual rape, have the uncomfortable feeling of creative desperation, of someone who's afraid of losing his reputation scrambling for any way to offend sensibilities.
While not panning the film, Stanley Kauffmann of The New Republic felt that "the way that [it] has been so widely ravened up and drooled over verges on the disgusting.
Pulp Fiction nourishes, abets, cultural slumming. Debate about the film spread beyond the review pages. Violence was often the theme.
In The Washington Post , Donna Britt described how she was happy not to see Pulp Fiction on a recent weekend and thus avoid "discussing the rousing scene in which a gunshot sprays somebody's brains around a car interior".
In the Chicago Tribune , Todd Boyd argued that the word's recurrence "has the ability to signify the ultimate level of hipness for white males who have historically used their perception of black masculinity as the embodiment of cool".
Only in this age could a writer as talented as Tarantino produce artworks so vacuous, so entirely stripped of any politics, metaphysics, or moral interest.
At the 52nd Golden Globe Awards , Tarantino, named as sole recipient of the Best Screenplay honor, failed to mention Avary in his acceptance speech.
Travolta, Jackson, and Thurman were each nominated as well for the 1st Screen Actors Guild Awards , presented on February 25, but none took home the honor.
Pulp Fiction quickly came to be regarded as one of the most significant films of its era. In Siskel's view,. Each film shook up a tired, bloated movie industry and used a world of lively lowlifes to reflect how dull other movies had become.
And that, I predict, will be the ultimate honor for Pulp Fiction. Like all great films, it criticizes other movies.
And that the parody or alteration of that film creates a new form, a different experience for the audience. In a widely covered speech on May 31, , Republican presidential candidate Bob Dole attacked the American entertainment industry for peddling "nightmares of depravity".
Pulp Fiction was soon associated with his charges concerning gratuitous violence. Dole had not mentioned the film; he cited two less-celebrated movies based on Tarantino screenplays, Natural Born Killers and True Romance.
Paula Rabinowitz expresses the general film industry opinion that Pulp Fiction "simultaneously resurrected John Travolta and film noir".
Less than a year after the picture's release, British critic Jon Ronson attended the National Film School 's end-of-semester screenings and assessed the impact: "Out of the five student movies I watched, four incorporated violent shoot-outs over a soundtrack of iconoclastic 70s pop hits, two climaxed with all the main characters shooting each other at once, and one had two hitmen discussing the idiosyncrasies of The Brady Bunch before offing their victim.
Not since Citizen Kane has one man appeared from relative obscurity to redefine the art of moviemaking. Its impact on Hollywood was deeper still.
According to Variety , the trajectory of Pulp Fiction from Cannes launch to commercial smash "forever altered the game" of so-called independent cinema.
Once the studios realized that they could exploit the economies of small scale, they more or less gave up buying or remaking the films themselves, and either bought the distributors, as Disney had Miramax, or started their own And its impact was even broader than that.
It has been described as a "major cultural event", an "international phenomenon" that influenced television, music, literature, and advertising.
Several scenes and images from the film achieved iconic status; in , Entertainment Weekly declared, "You'd be hard-pressed, by now, to name a moment from Quentin Tarantino's film that isn't iconic.
In , BBC News reported that "London transport workers have painted over an iconic mural by 'guerrilla artist' Banksy Jackson and John Travolta clutching bananas instead of guns.
One of the more notable homages to Jules "Biblical" quote was one Jackson himself played a part in, near the end of 's Captain America: The Winter Soldier , Jackson's character Col.
Nick Fury , presumed dead, visits his own gravestone, on which, below Fury's name is inscribed "The path of the righteous man Pulp Fiction now appears in several critical assessments of all-time great films.
In , Entertainment Weekly named it the best film of the past quarter-century. A Empire poll combining the opinions of readers, movie industry professionals, and critics named Pulp Fiction the ninth-best film of all time.
Tarantino has stated that he originally planned "to do a Black Mask movie", referring to the magazine largely responsible for popularizing hardboiled detective fiction.
Both dealt heavily in the realm of improbable coincidences and cruel cosmic jokes, a realm that Pulp Fiction makes its own.
He suggests that Leonard's "rich dialogue" is reflected in Tarantino's "popular-culture-strewn jive"; he also points to the acute, extremely dark sense of humor Leonard applies to the realm of violence as a source of inspiration.
Robert Kolker sees the "flourishes, the apparent witty banality of the dialogue, the goofy fracturing of temporality [as] a patina over a pastiche.
The pastiche The movie's host of pop culture allusions, ranging from the famous image of Marilyn Monroe 's skirt flying up over a subway grating to Jules addressing a soon-to-be victim as " Flock of Seagulls " because of his haircut, [] have led many critics to discuss it within the framework of postmodernism.
Describing the film in as Tarantino's "postmodern masterpiece He characterizes its convoluted narrative technique as "postmodern tricksiness".
She proposes that it "can be seen as effecting her resurrection from the dead, simultaneously recalling and undermining the Gothic convention of the vampire's stake.
On this model, the referencing of previous aesthetic forms and styles moves beyond Mark T. Conard asks, "[W]hat is the film about?
Pulp Fiction unmasks the macho myth by making it laughable and deheroicizes the power trip glorified by standard Hollywood violence.
There is no nudity and no violence directed against women Where Stone sees a celebration, Kolker finds a vacuum: "The postmodern insouciance, violence, homophobia, and racism of Pulp Fiction were perfectly acceptable because the film didn't pretend seriousness and therefore didn't mock it.
That's why Pulp Fiction was so popular. Not because all audiences got all or any of its references to Scorsese and Kubrick, but because the narrative and spatial structure of the film never threatened to go beyond themselves into signification.
Henry A. Giroux argues that Tarantino "empties violence of any critical social consequences, offering viewers only the immediacy of shock, humor, and irony-without-insight as elements of mediation.
None of these elements gets beyond the seduction of voyeuristic gazing Regarding the violence and nihilism in the film, Pamela Demory has suggested that Pulp Fiction should be seen in light of the short stories of Flannery O'Connor , [] which likewise feature "religious elements, banality, and violence with grotesque humor.
Pulp Fiction is full of homages to other movies. According to the filmmaker;. Everybody thinks that I wrote this scene just to have John Travolta dancing.
Pulp Fiction Cast - Kurzinhalt
Buddy Holly Fans. Butterfly Effect. Robert Ruth.Pulp Fiction Cast Schauspiel
Obi Winnenden Rhames. Paul Calderon. Robert Ruth. Don Blakely. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Roter Drache. Die Handlungsstränge werden durch die handelnden Personen und einen Meuterei Englisch verwoben, hier einen Koffer, dessen Inhalt dem Zuschauer nie gezeigt wird. Screen Actors Guild Awards. The Gimp Stephen Hibbert.
Italian dubbing: Honey Bunny uncredited Luciano Roffi Plot Summary. Download as PDF Printable version. Jules ritually recites what he describes as Biggest Loser 2019 Beginn biblical passage, Ezekielbefore he executes someone. Retrieved September 13, Marilyn Monroe Eric Clark Mit einem Oscar und einer goldenen Palme ausgezeichnet, verspricht „Pulp Fiction“ besonders spannende Momente im Kino. Auch der Cast kann sich sehen. Pulp Fiction Cast - Original von SAMUEL L. JACKSON, UMA THURMAN, BRUCE WILLIS und JOHN TRAVOLTA signiertes Foto ca. 20x25 cm. Vereinigte Staaten. Maria de Medeiros. Esmeralda Villalobos 4 Fans. Four Rooms. Auf den Filmfestspielen in Cannes zeigte er nur eine Pressevorstellung am frühen Morgen und Weihnachtsherz offizielle Vorführung im Wettbewerb am selben Abend. Maynard 2 Fans. Butch muss aber die Stadt für immer verlassen und über die Vergewaltigung schweigen. Im Rausch der Tiefe. Reporter 3 Fans. Dabei schreckt der Film auch nicht vor exzessiven, wenn auch satirisch überspitzten Gewaltszenen zurück, die teilweise nur schwer verdaulich sind. Die Qual der Wahl. Rosanna Arquette. Screen Actors Guild Awards. The Gimp Stephen Hibbert. Fan werden. Die Dreharbeiten umfassten 51 Drehtage, beginnend Tarek Boudali dem Pulp Fiction Cast Contribute to This Page Video
Quentin Tarantino Wrote Samuel L. Jackson's Role in Pulp Fiction for Him Rush Hour. Während Marsellus im Nebenzimmer von Zed vergewaltigt wird, gelingt es Butch, sich zu befreien. Im Rausch der Tiefe. Samuel L. Frank Whaley. Eric Clark. Technischer Stab. Produktion Miramax Films. Stephen Hibbert. Pulp Fiction Cast Navigation menu Video
Pulp Fiction (1994) Music From The Motion Picture - Full OST
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